Last night I signed up for a 100 days of writing challenge with my writing group. However, the challenge began the night before a 6am work start at my day job. The irony was not lost on me. I finally committed to writing daily, something I had been telling myself I wanted to do for a long time, but the night I committed was the night I badly needed to sleep so I could be rested for work.
Read MoreStuck in a Creative Holding Pattern
Have you ever experienced the feeling – creatively and professionally – of being ‘on hold?’
You have done all the work. You have submitted, sold, pitched, put your ideas out into the world, launched projects and hit send on those important connection emails, but you’re still waiting for the date when all the hard work is released, seen, acknowledged, or accepted. Until then, all you hear is radio silence and you feel empty. You feel like you should be doing something – even when you have done enough. Even when you are not sure what else to do.
You are floating in limbo, waiting for something to transpire from all your work. Those quiet, inactive periods can cause creatives to feel lost, and they can stretch on for days or weeks. You are like that aircraft primed to land but waiting for permission to do so. You know you should chill out and take a moment, but it is hard, as forward momentum has ceased. Nothing is happening. Something should be happening.
That Community Feeling – How Connected are Artists in 2022, Really?
The artist Vincent Van Gogh was a fan of community. In 1888 he rented four rooms within the Yellow House in Arles, France, and worked for months to convert and furnish these rooms into a studio, aiming to build a space where fellow artists could live and work together.
The idea of a community is appealing, even to the weirdos and introverts amongst us. Although I refer to artists, it’s long been proven that people, no matter their hobbies, professions, beliefs or what-not, love feeling like they belong. We like sharing ideas and talking about our passions with like-minded peers.
Read MoreReflecting on the CBI Workshop
Last week I sent off a private screener of Cats of Malta to our Kickstarter backers. The next day I received a reply from an actor/filmmaker I knew from my past life working out of Studio 106 in St Kilda. Katrina asked me about our improvised process of filmmaking, how we make films, and if she could see an example of my favorite improvised NPG film.
This request got me thinking and sent me down a rabbit hole of reminiscing about our improvised work and how we started producing and shooting films using this unique method. All this thinking led me to Tubi TV and getting lost within the first twenty minutes of Friends, Foes & Fireworks – the first improvised film Ivan and I produced and directed, plus shot in a single night.
Within the body of the email reply to Katrina I pasted the Tubi TV link to Friends, Foes & Fireworks and filled the rest of the blank space with our improvisation inspirations, directors and films we admire – one of which is Mike Leigh. His name led me to thinking about the whole improvisation journey and business transition which NPG has gone through since making Friends, Foes & Fireworks in 2017. Again this led to yet another fond memory – the five days Ivan and I spent in Basel during 2019 taking part in the Character Based Improvisation (CBI) workshop Robert Marchand teaches.
I also mentioned the CBI workshop to Katrina, then I hit ‘send’. Sitting at my desk I realized it's been a few years since Basel, and that realization brought on some wonderful memories.